| 曲名 | 
          BPM | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Kyrie eleison | 
          67.5 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Vorstellung des Chaos (The Representation of Chaos) | 
          59.4 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Kommt, ihr Tochter, helft mir klagen (Chorus) | 
          88.1 | 
        
        
          | Spem in alium | 
          85.4 | 
        
        
          | Messa da Requiem: Requiem: Requiem aeternam | 
          86.5 | 
        
        
          | Requiem in D Minor, K. 626: Introit: Requiem aeternam | 
          73.6 | 
        
        
          | Messiah, HWV 56: Part I: Sinfonia | 
          95.6 | 
        
        
          | Mass in B Minor, BWV 232: Kyrie: Kyrie eleison (Chorus) | 
          80.4 | 
        
        
          | Requiem, Op. 48: Introit et Kyrie | 
          64.1 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Introduction: So wahr der Herr, der Gott Israels, lebet (Baritone) | 
          67.9 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: Buss und Reu Knirscht das Sundenherz entzwei (Alto) | 
          62.4 | 
        
        
          | Messa da Requiem: Dies irae: Dies irae, dies illa | 
          74.9 | 
        
        
          | Il salmo Miserere mei Deus | 
          73.3 | 
        
        
          | Messiah, HWV 56: Part I: Recitative: Comfort ye my people (Tenor) | 
          98.6 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Now vanish before the holy beams) (Uriel, Chorus) | 
          98.8 | 
        
        
          | Mass in B Minor, BWV 232: Kyrie: Christe eleison (Soprano I and II) | 
          133.7 | 
        
        
          | Requiem in D Minor, K. 626: Kyrie eleison | 
          81.7 | 
        
        
          | Requiem, Op. 48: Offertoire | 
          80.7 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Gloria: Gloria in excelsis Deo | 
          71.3 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Hilf, Herr! Hilf, Herr! (Chorus) | 
          75.3 | 
        
        
          | Messa da Requiem: Dies irae: Tuba mirum | 
          61.0 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael) | 
          115.5 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 1: Dies irae | 
          79.1 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: Blute nur, du liebes Herz! (Soprano) | 
          63.0 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Recitative: Zerreisset eure Herzen (Tenor) | 
          124.9 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Gloria: Qui tollis peccata mundi | 
          175.3 | 
        
        
          | Stabat Mater | 
          172.5 | 
        
        
          | Messiah, HWV 56: Part I: And the glory of the Lord shall be revealed (Chorus) | 
          110.9 | 
        
        
          | Requiem, Op. 48: Sanctus | 
          113.4 | 
        
        
          | Mass in B Minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus) | 
          100.6 | 
        
        
          | Stabat mater: Cujus animam | 
          127.6 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Aria: So ihr mich von ganzem Herzen suchet (Tenor) | 
          75.9 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael) | 
          73.5 | 
        
        
          | Mass in B Minor, BWV 232: Gloria: Et in terra pax (Chorus) | 
          82.6 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: Ich will dir mein Herze schenken (Soprano) | 
          104.8 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 2: Tuba mirum | 
          94.3 | 
        
        
          | Messa da Requiem: Dies irae: Liber scriptus | 
          82.1 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Gloria: Quoniam tu solus sanctus | 
          84.0 | 
        
        
          | Messiah, HWV 56: Part I: Recitative: Behold, a virgin shall conceive (Alto) | 
          169.9 | 
        
        
          | Requiem, Op. 48: Pie Jesu | 
          98.8 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: Ich will bei meinem Jesu wachen (Tenor, Chorus) | 
          133.7 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (And God said: Let all the earth bring forth grass) (Gabriel) | 
          112.5 | 
        
        
          | Messiah, HWV 56: Part I: For unto a child is born (Chorus) | 
          101.2 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Double Quartet: Denn er hat seinen Engeln befohlen uber dir (Chorus) | 
          66.1 | 
        
        
          | Messa da Requiem: Dies irae: Rex tremendae | 
          89.9 | 
        
        
          | Stabat mater: O quam tristis | 
          162.4 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 3: Rex tremendae majestatis | 
          81.8 | 
        
        
          | Mass in B Minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor) | 
          132.5 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Credo: Credo in unum Deum | 
          122.6 | 
        
        
          | Requiem, Op. 48: Agnus Dei | 
          173.5 | 
        
        
          | Messiah, HWV 56: Part I: Pifa | 
          49.3 | 
        
        
          | Messa da Requiem: Dies irae: Recordare | 
          87.9 | 
        
        
          | Mass in B Minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto) | 
          110.2 | 
        
        
          | Requiem, Op. 48: Libera me | 
          127.6 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: Gerne will ich mich bequemen (Bass) | 
          114.7 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 4: Recordare, Jesu pie | 
          158.7 | 
        
        
          | Stabat mater: Quae moerebat | 
          101.2 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Credo: Et incarnatus est | 
          77.6 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun beut dir Flur das frische Grun (With verdure clad the fields appear) (Gabriel) | 
          116.2 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Recitative, Aria and Duet: Was hast du an mir getan, du Mann Gottes! (Soprano, Baritone) | 
          71.8 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Credo: Et resurrexit tertia die | 
          109.1 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) (Gabriel, Uriel, Raphael, Chorus) | 
          60.3 | 
        
        
          | Stabat mater: Quis est homo | 
          173.6 | 
        
        
          | Messiah, HWV 56: Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano) | 
          121.3 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Wohl dem, der den Herrn furchtet (Chorus) | 
          103.3 | 
        
        
          | Messa da Requiem: Dies irae: Ingemisco | 
          157.3 | 
        
        
          | Mass in B Minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus) | 
          100.5 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 5: Confutatis maledictis | 
          100.5 | 
        
        
          | Requiem, Op. 48: In paradisum | 
          82.6 | 
        
        
          | St. Matthew Passion, BWV 244: Part I: Aria: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus) | 
          107.0 | 
        
        
          | Mass in B Minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto) | 
          125.9 | 
        
        
          | Messa da Requiem: Dies irae: Confutatis | 
          76.7 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Aria: Ach! Nun ist mein Jesus hin! (Alto, Chorus) | 
          66.0 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fulle hervor (And God said: Let the waters bring forth abundantly) (Gabriel) | 
          102.2 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Baal, erhore uns! (Chorus) | 
          99.9 | 
        
        
          | Pieces de fantaisie, Op. 51: Suite No. 1 | 
          132.7 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Sanctus | 
          89.6 | 
        
        
          | Messiah, HWV 56: Part I: Recitative: Then shall the eyes of the blind be opened (Alto) | 
          78.6 | 
        
        
          | Requiem in D Minor, K. 626: Sequence No. 6: Lacrimosa dies illa | 
          180.5 | 
        
        
          | Stabat mater: Vidit suum | 
          92.1 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Recitative: Kommt her, alles Volk, kommt her zu mir! (Baritone) | 
          0.0 | 
        
        
          | Mass in B Minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus) | 
          76.1 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Sanctus: Benedictus | 
          85.4 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Aria: Erbarme dich, mein Gott, um meiner Zahren willen! (Alto) | 
          179.5 | 
        
        
          | Messa da Requiem: Dies irae: Lacrymosa | 
          77.1 | 
        
        
          | Messiah, HWV 56: Part II: Aria: He was despised and rejected of men (Alto) | 
          77.7 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich der Adler stolz (On mighty pens uplifted soars the eagle aloft) (Gabriel) | 
          68.1 | 
        
        
          | Requiem in D Minor, K. 626: Offertory No. 1: Domine Jesu Christe | 
          91.3 | 
        
        
          | Stabat mater: Eja mater | 
          131.7 | 
        
        
          | Tantum ergo | 
          75.6 | 
        
        
          | Messiah, HWV 56: Part II: Aria: How beautiful are the feet of them (Soprano) | 
          86.9 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) | 
          81.8 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Aria: Herr Gott Abrahams, Isaaks und Israels (Baritone) | 
          88.0 | 
        
        
          | Messa da Requiem: Offertorio: Domine Jesu | 
          81.1 | 
        
        
          | Mass in B Minor, BWV 232: Credo: Et resurrexit tertia die (Chorus) | 
          102.5 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Agnus Dei | 
          83.6 | 
        
        
          | Requiem in D Minor, K. 626: Offertory No. 2: Hostias et preces | 
          97.6 | 
        
        
          | Stabat mater: Fac, ut ardeat | 
          134.1 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder! (Bass) | 
          74.9 | 
        
        
          | Messe basse: Kyrie | 
          113.1 | 
        
        
          | Mass in D Major, Op. 123, "Missa Solemnis": Agnus Dei: Dona nobis pacem | 
          92.1 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Recitative: Der du deine Diener machst zu Geistern (Baritone, Chorus) | 
          76.9 | 
        
        
          | Messa da Requiem: Offertorio: Hostias et preces tibi | 
          83.2 | 
        
        
          | Mass in B Minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass) | 
          179.5 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: In holder Anmut stehn (Most beautiful appear) (Trio) | 
          125.1 | 
        
        
          | Messiah, HWV 56: Part II: Aria: Why do the nations so furiosly rage together (Bass) | 
          123.3 | 
        
        
          | Messe basse: Sanctus | 
          127.1 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Aria: Konnen Tranen meiner Wangen (Alto) | 
          72.0 | 
        
        
          | Requiem in D Minor, K. 626: Sanctus | 
          81.7 | 
        
        
          | Stabat mater: Sancta Mater | 
          136.9 | 
        
        
          | Requiem in D Minor, K. 626: Benedictus | 
          84.2 | 
        
        
          | Mass in B Minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus) | 
          100.2 | 
        
        
          | Messiah, HWV 56: Part II: Hallelujah! (Chorus) | 
          109.8 | 
        
        
          | Stabat mater: Fac ut portem | 
          136.4 | 
        
        
          | Messe basse: Benedictus | 
          77.2 | 
        
        
          | Elijah, Op. 70, MWV A25: Part I: Aria: Ist nicht des Herrn Wort wie ein Feuer (Baritone) | 
          87.5 | 
        
        
          | St. Matthew Passion, BWV 244: Choral: O Haupt voll Blut und Wunden (Chorus) | 
          60.9 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe (And God said: Let the earth bring forth the living creature) (Raphael) | 
          74.8 | 
        
        
          | Messa da Requiem: Sanctus | 
          114.3 | 
        
        
          | Messiah, HWV 56: Part III: Aria: I know that my Redeemer liveth (Soprano) | 
          84.0 | 
        
        
          | Stabat mater: Inflammatus | 
          181.6 | 
        
        
          | Messa da Requiem: Agnus Dei | 
          77.3 | 
        
        
          | Mass in B Minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus) | 
          139.9 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael) | 
          78.0 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Aria: Hore, Israel, hore des Herrn Stimme! (Soprano) | 
          79.1 | 
        
        
          | Requiem in D Minor, K. 626: Agnus Dei | 
          83.2 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Aria: Mache dich, mein Herze, rein (Bass) | 
          128.6 | 
        
        
          | Messe basse: Agnus Dei | 
          130.6 | 
        
        
          | Requiem in D Minor, K. 626: Communion: Lux aeterna | 
          89.3 | 
        
        
          | Cantique de Jean Racine, Op. 11 | 
          67.7 | 
        
        
          | Mass in B Minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | 
          76.0 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel) | 
          133.3 | 
        
        
          | Messiah, HWV 56: Part III: Recitative: Behold, I tell you a mystery (Bass) | 
          118.0 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Furchte dich nicht, spricht unser Gott (Chorus) | 
          80.1 | 
        
        
          | St. Matthew Passion, BWV 244: Part II: Wir setzen uns mit Tranen nieder (Chorus) | 
          86.4 | 
        
        
          | Stabat mater: Quando corpus | 
          76.4 | 
        
        
          | Messa da Requiem: Lux aeterna | 
          75.9 | 
        
        
          | Messa da Requiem: Libera me: Libera me, Domine | 
          89.1 | 
        
        
          | Ave verum corpus, K. 618 | 
          134.7 | 
        
        
          | Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus) | 
          95.1 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Aria: Es ist genug! (Baritone) | 
          88.2 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael) | 
          97.3 | 
        
        
          | Mass in B Minor, BWV 232: Benedictus: Osanna in excelsis (Chorus) | 
          170.4 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das grosse Werk (Chorus) | 
          117.4 | 
        
        
          | Messa da Requiem: Libera me: Libera me, Domine | 
          171.9 | 
        
        
          | Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) | 
          129.8 | 
        
        
          | Ave Maria (version for voice and orchestra) | 
          64.0 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Recitative: Siehe, er schlaft (Tenor) | 
          97.3 | 
        
        
          | Panis angelicus | 
          76.3 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part III: Von deiner Gut', o Herr und Gott (By thee with bliss, O bounteous Lord) (Eve and Adam, Chorus) | 
          104.7 | 
        
        
          | Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus) | 
          76.2 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Trio: Hebe deine Augen auf zu den Bergen | 
          87.9 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) | 
          129.5 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfullt (Our duty we performed now) (Adam and Eve) | 
          112.5 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Recitative: Stehe auf, Elias (Alto, Baritone) | 
          86.6 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! (Graceful consort!) (Adam and Eve) | 
          133.7 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Aria: Sei stille dem Herrn und warte auf ihn (Alto) | 
          86.4 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part III: O glucklich Paar (O happy pair) (Uriel) | 
          190.6 | 
        
        
          | Die Schopfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren alle Stimmen (Sing the Lord, ye voices all!) (Chorus) | 
          115.5 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Wer bis ans Ende beharrt, der wird selig (Chorus) | 
          179.3 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Recitative: Herr, es wird Nacht um mich (Baritone, Soprano) | 
          72.6 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Der Herr ging voruber (Chorus) | 
          109.6 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Aria: Dann werden die Gerechten leuchten (Tenor) | 
          63.0 | 
        
        
          | Elijah, Op. 70, MWV A25: Part II: Alsdann wird euer Licht hervorbrechen (Chorus) | 
          100.7 |