| 曲名 |
BPM |
| Mass A Theatre Piece for Singers, Players and Dancers I: X. Credo: 1. Credo in unum Deum |
84.1 |
| Mass A Theatre Piece for Singers, Players and Dancers I: I. Devotions before Mass: 1. Antiphon: Kyrie eleison |
126.3 |
| Symphony No. 1 "Jeremiah": I. Prophecy |
78.2 |
| Trouble in Tahiti - An Opera in Seven Scenes: Prelude |
145.5 |
| Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): I. Invocation |
128.5 |
| Overture to Candide: Allegro molto con brio |
80.4 |
| Dybbuk (Complete Ballet): Part I: The Community |
80.4 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did" |
170.4 |
| Dybbuk (Complete Ballet): The Fathers |
66.1 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "Non Credo" |
168.2 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Hymn and Psalm: "A Simple Song" |
63.3 |
| Symphony No. 1 "Jeremiah": II. Profanation |
80.6 |
| Symphonic Dances (From "West Side Story"): I. Prologue (Allegro moderato) |
110.4 |
| Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): II. Din-Torah |
86.0 |
| Symphony No. 1 "Jeremiah": III. Lamentation |
83.4 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Hurry" |
131.3 |
| Symphonic Dances (From "West Side Story"): II. Somewhere (Adagio) |
93.0 |
| Dybbuk (Complete Ballet): Witnesses of Birth |
68.9 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!" |
96.7 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 3. Responsory: Alleluia |
107.6 |
| Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): III. Scherzo |
77.1 |
| Symphonic Dances (From "West Side Story"): III. Scherzo (Vivace leggiero) |
108.8 |
| Chichester Psalms: I. Psalm 108:2 "Urah, hanevel, v'chinor!" - Psalm 100 "Hariu l'Adonai kol haarets" |
134.9 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!" |
163.8 |
| Dybbuk (Complete Ballet): The Children |
75.8 |
| On the Town: The Great Lover |
127.7 |
| Mass A Theatre Piece for Singers, Players and Dancers I: II. First Introit (Rondo): 1. Prefatory Prayers |
105.3 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "World Without End" |
118.5 |
| Chichester Psalms: II. Psalm 23 "Adonai ro-i, lo e?sar" - Psalm 2:1-4 "Lamah rag'shu goyim" |
82.4 |
| On the Town: Lonely Town. Pas de deux |
65.9 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 5. Trope: "I Believe in God" |
174.2 |
| Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations |
136.1 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me" |
167.0 |
| Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto) |
95.1 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Thrice-Triple Canon: Dominus vobiscum |
114.8 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me" |
80.7 |
| Symphonic Dances (From "West Side Story"): V. Cha-Cha, "Maria" (Andantino con grazia) |
105.9 |
| On the Town: Times Square, 1944 |
105.3 |
| Dybbuk (Complete Ballet): Part III: Witnesses of Death |
175.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XI. Meditation No. 3 (De profundis, part 1) |
146.1 |
| Chichester Psalms: III. Psalm 131 "Adonai, Adonai" - Psalm 133:1 "Hineh mah tov" |
106.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: III. Second Introit: 1. In nomine Patris |
145.5 |
| I Hate Music: No. 1, My Name Is Barbara |
97.2 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XII. Offertory (De profundis, part 2) |
86.3 |
| Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day" |
148.8 |
| Symphony No. 2 "The Age of Anxiety": Pt. 1a, The Prologue. Lento moderato |
85.9 |
| Symphonic Dances (From "West Side Story"): VI. Meeting Scene (Meno mosso) |
110.4 |
| Dybbuk (Complete Ballet): Leah |
107.1 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Prayer for the congregation (Chorale: "Almighty Father") |
98.7 |
| Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" (Allegretto) |
84.3 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 3. Epiphany |
72.1 |
| Symphony No. 2 "The Age of Anxiety": Pt. 1b, The Seven Ages. Variations 1 - 7 |
98.1 |
| I Hate Music: No. 2, Jupiter Has Seven Moons |
77.5 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XIII. The Lord's Prayer: 1. Our Father... |
88.6 |
| Dybbuk (Complete Ballet): Possession |
138.7 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law" |
86.5 |
| I Hate Music: No. 3, I Hate Music! |
173.5 |
| Dybbuk (Complete Ballet): Exorcism |
131.3 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene VI:"What a movie!" |
77.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Go On" |
127.0 |
| Symphonic Dances (From "West Side Story"): VIII. Rumble (Molto allegro) |
103.4 |
| Mass A Theatre Piece for Singers, Players and Dancers I: IV. Confession: 1. Confiteor |
117.5 |
| Symphony No. 2 "The Age of Anxiety": Pt. 1c, The Seven Stages. Variations 8 - 14 |
88.9 |
| Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo |
64.9 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Don't Know" |
115.9 |
| I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song) |
175.3 |
| Dybbuk (Complete Ballet): The Community |
66.2 |
| Symphonic Dances (From "West Side Story"): X. Finale (Adagio) |
75.1 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XIV. Sanctus |
142.6 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets" |
171.5 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Easy" |
96.9 |
| Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly" |
179.3 |
| I Hate Music: No. 5, I'm a Person Too |
90.3 |
| Symphony No. 2 "The Age of Anxiety": Pt. 2b, The Masque. Extremely Fast |
130.5 |
| Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato) |
82.2 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XV. Agnus Dei |
172.9 |
| Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro |
64.4 |
| Mass A Theatre Piece for Singers, Players and Dancers I: V. Meditation No. 1 |
83.3 |
| Symphonic Suite (From the Film "On The Waterfront"): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima |
80.7 |
| Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio |
171.8 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XVI. Fraction: "Things Get Broken" |
74.8 |
| La bonne cuisine (Four Recipes): No. 1, Plum Pudding |
190.0 |
| Symphony No. 2 "The Age of Anxiety": Pt. 2c, The Epilogue. L'istesso tempo |
80.0 |
| Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto) |
63.7 |
| Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi |
132.3 |
| Symphonic Suite (From the Film "On The Waterfront"): Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento |
63.7 |
| Mass A Theatre Piece for Singers, Players and Dancers I: XVII. Pax: Communion ("Secret Songs") |
87.8 |
| La bonne cuisine (Four Recipes): No. 2, Queues de boeuf |
93.5 |
| Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto |
80.9 |
| Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto) |
139.5 |
| Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio) |
93.5 |
| Symphonic Suite (From the Film "On The Waterfront"): Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso |
134.3 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 2. Gloria in excelsis |
98.5 |
| La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis |
126.0 |
| Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace) |
99.9 |
| La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse |
180.4 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People" |
101.9 |
| Symphonic Suite (From the Film "On The Waterfront"): Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso |
78.7 |
| Symphonic Suite (From the Film "On The Waterfront"): A tempo |
76.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "Thank You" |
70.0 |
| Mass A Theatre Piece for Singers, Players and Dancers I: VII. Meditation No. 2 |
78.0 |
| Fancy Free Ballet: I. Enter Three Sailors |
105.2 |
| Fancy Free Ballet: II. Scene at the Bar |
163.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: VIII. Epistle: "The Word of the Lord" |
77.6 |
| Fancy Free Ballet: III. Enter Two Girls |
94.6 |
| Mass A Theatre Piece for Singers, Players and Dancers I: IX. Gospel-Sermon: "God Said" |
124.3 |
| Fancy Free Ballet: IV. Pas de deux |
69.7 |
| Fancy Free Ballet: V. Competition Scene |
176.2 |
| Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop) |
93.2 |
| Fancy Free Ballet: Variation II (Waltz) |
73.7 |
| Fancy Free Ballet: Variation III (Danzon) |
141.7 |
| Fancy Free Ballet: VII. Finale |
116.2 |
| Prelude, Fugue & Riffs: I. Prelude |
78.5 |
| Prelude, Fugue & Riffs: II. Fugue |
157.1 |
| Prelude, Fugue & Riffs: III. Riffs |
150.4 |
