| 曲名 |
BPM |
| Trio Sonata adapted from BWV 1039 and BWV 1027 (G major): 1. Adagio |
123.7 |
| Trio Sonata adapted from BWV 1039 and BWV 1027 (G major): 2. Allegro ma non tanto |
95.6 |
| Trio Sonata adapted from BWV 1039 and BWV 1027 (G major): 3. Andante |
169.7 |
| Trio Sonata adapted from BWV 1039 and BWV 1027 (G major): 4. Allegro moderato |
92.0 |
| Choral: «Liebster Jesu, Wir Sind Hier», BWV 731 (G major) |
103.4 |
| Andante from «Organ Trio», BWV 527 (D minor) |
113.4 |
| Choral: «Wachet Auf, Ruft Uns Die Stimme», BWV 645 (E-flat major) |
81.0 |
| Menuet, BWV Anh. 114 (G major) |
134.8 |
| [Aria] «So oft ich meine Tobackspfeife», BWV 515a (G minor) |
118.8 |
| Polonaise, BWV Anh. 125 (G minor) |
96.8 |
| Menuet, BWV Anh. 116 (G major) |
153.7 |
| Marche, BWV Anh. 122 (D major) |
89.5 |
| [Polonaise], BWV Anh. 128 (D minor) |
102.8 |
| Aria, BWV 515 (D minor) |
62.1 |
| Musette, BWV Anh. 126 (D major) |
91.9 |
| Sarabande from BWV 1013 (D minor) |
78.6 |
| «Warum betrübst du dich», BWV 516 ( F minor) |
160.8 |
| Rondeau, BWV Anh. 183 (B major) |
64.1 |
| Canon a 2 per Tonos: «Ascendenteque Modulationis ascendat Gloria Regis» from «Das Musikalische Opfer», BWV 1079 |
122.9 |
| Fuga canonica in Epidiapente (C minor) from «Das Musikalische Opfer», BWV 1079 |
74.2 |
| Choral praeludium: «Jesus, meine Zuversicht», BWV 728 (C major) |
115.4 |
| «Bist du bei mir», BWV 508 (E-flat major) |
88.8 |
| Choral: «Wer nur den lieben Gott lässt walten», BWV 691 (A minor) |
99.3 |
