| 曲名 |
BPM |
| Noviy Vavilon (New Babylon), Op. 18: Act VII |
131.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 1, Kuzmina in Leningrad: March, "The Street" |
137.6 |
| Noviy Vavilon (New Babylon), Op. 18: Act I |
147.6 |
| Korol' Lir (King Lear), Op. 58a: Fanfare 1 |
144.3 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): I. Introduction |
59.2 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: I. Introduction: Moderato |
65.9 |
| Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): I. Song about Zoya |
68.0 |
| Noviy Vavilon (New Babylon), Op. 18: Act II |
141.7 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): II. Ball at the Palace |
162.3 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 1, Kuzmina in Leningrad: Galop - Kakaya horoshaya budet zhizn'! (How Good Life will Be!) |
144.6 |
| Korol' Lir (King Lear), Op. 58a: Prelude and Cordelia's ballad |
80.0 |
| Noviy Vavilon (New Babylon), Op. 18: Act VIII |
89.3 |
| Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): II. Military Problem |
81.6 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: II. Waltz: Andante |
180.3 |
| Korol' Lir (King Lear), Op. 58a: Fanfare 2 |
80.6 |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a (arr. L. Atovmyan): I. Introduction |
136.2 |
| Noviy Vavilon (New Babylon), Op. 18: Act III |
116.9 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): III. The Ghost |
65.3 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: III. Fugue: Largo - Allegro |
65.2 |
| Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): III. Tragedy of a Loss |
133.8 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 1, Kuzmina in Leningrad: (Original) Introduction - The Cockery Sings: Ostan'sya! (Stay!) |
64.3 |
| Korol' Lir (King Lear), Op. 58a: Returning from the Hunt |
160.1 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: IV. Intermezzo: Andante |
80.0 |
| Noviy Vavilon (New Babylon), Op. 18: Act IV |
88.4 |
| Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): IV. Hero's Victory |
128.1 |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a (arr. L. Atovmyan): II. Dresden in Ruins |
77.1 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): IV. In the Garden |
117.9 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 2, Kuzmina Enlists as a Teacher: March |
125.0 |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a (arr. L. Atovmyan): III. The Liberation of Dresden |
73.1 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): V. Scene of the Poisoning |
76.0 |
| Noviy Vavilon (New Babylon), Op. 18: Act V |
125.3 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: V. Funeral March: Largo |
68.6 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Altai |
72.6 |
| Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra): V. The Heroine's Immortality |
91.6 |
| Korol' Lir (King Lear), Op. 58a: Fanfare 3 |
0.0 |
| Korol' Lir (King Lear), Op. 58a: Ten Songs of the Fool |
105.9 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): VI. Arrival and Scene of the Players |
80.5 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): I. Prelude |
176.0 |
| Zlatiye gori (Golden mountains) Suite, Op. 30a: VI. Finale: Largo |
111.9 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Steppe of the Altai |
53.4 |
| Noviy Vavilon (New Babylon), Op. 18: Act VI |
90.7 |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a (arr. L. Atovmyan): IV. Interlude |
79.5 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): VII. Ophelia |
114.7 |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a (arr. L. Atovmyan): V. Finale |
71.4 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): II. Scene at the River |
86.4 |
| Korol' Lir (King Lear), Op. 58a: Fanfare 4 |
0.0 |
| Yunost' Maksima (The Youth of Maxim), Op. 41: Overture |
150.5 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Altai |
115.5 |
| Korol' Lir (King Lear), Op. 58a: Act I: Finale |
85.6 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): III. Attack |
69.7 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): I. Introduction: Courage, my friends: Moderato |
115.7 |
| Hamlet Suite, Op. 116a (arr. L. Atovmyan): VIII. Duel and Death of Hamlet |
83.7 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina in Her Peasant's Hut |
95.0 |
| Korol' Lir (King Lear), Op. 58a: The Storm is Coming Up |
142.3 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): I. Overture |
91.7 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): IV. In the Garden |
139.2 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): II. Attack: Allegro |
137.7 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Barrel-Organ |
148.9 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): III. Death of the Old Worker: Adagio |
86.9 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): V. Storming Seelow Heights |
115.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: Allegro |
116.2 |
| Korol' Lir (King Lear), Op. 58a: Scene on the Steppe |
77.0 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): II. Contredanse |
168.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend The Sheep |
79.0 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): IV. Waltz: Allegro sostenuto |
107.7 |
| Korol' Lir (King Lear), Op. 58a: Gloster's Blinding |
162.0 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): VI. In the Destroyed Village |
88.5 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): III. Folk Festival |
165.1 |
| Korol' Lir (King Lear), Op. 58a: Military Camp |
95.7 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): IV. Interlude |
113.0 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): VII. Scene in the Metro |
76.6 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: Largo |
71.9 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): V. Demonstration: Allegretto |
121.7 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): V. Barrel-Organ Waltz |
124.9 |
| Korol' Lir (King Lear), Op. 58a: Fanfare 5 |
95.4 |
| Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan): VIII. Finale |
85.9 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: Village Soviet Chairman at Sleep and Arising |
144.3 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): VI. Struggle at the Barricades: Allegro con brio |
67.5 |
| Korol' Lir (King Lear), Op. 58a: March |
114.0 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): VI. Galop |
165.3 |
| Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): VII. Funeral March: Tempo di marcia funebre — |
79.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman |
97.6 |
| King Lear, Op. 137: Signal No. 1 - No. 5 |
109.1 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 4, Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wife |
151.2 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): VII. Prelude |
72.6 |
| Viborgskaya storona (Viborg District), Op. 50: Overture |
63.3 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): VIII. Romance |
60.1 |
| King Lear, Op. 137: Prelude: The March of Time: Adagio |
88.1 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: Adagio |
140.5 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): IX. Intermezzo |
77.2 |
| King Lear, Op. 137: Lear's Castle: Adagio |
95.7 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: Adagio |
107.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: Allegro |
86.9 |
| King Lear, Op. 137: No. 52: Moderato |
124.7 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): X. Nocturne |
89.1 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): XI. Scena |
129.3 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 5, Kuzmina Teaches in the Open Air: Moderato |
101.9 |
| King Lear, Op. 137: The Catastrophe begins: Adagio |
79.1 |
| King Lear, Op. 137: Signal No. 6 - No. 9 |
74.8 |
| The Gadfly Suite, Op. 97a (arr. L. Atovmyan): XII. Finale |
109.7 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 6, Attempted murder of Kuzmina: Allegretto |
92.1 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 6, Attempted murder of Kuzmina: Appendix |
74.5 |
| King Lear, Op. 137: The Voice of Truth: Adagio |
72.5 |
| King Lear, Op. 137: Storm: Moderato |
175.0 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 6, Attempted murder of Kuzmina: Snowstorm |
149.7 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 6, Attempted murder of Kuzmina: Largo |
108.9 |
| King Lear, Op. 137: After the Storm: Adagio |
128.1 |
| King Lear, Op. 137: The Storm (Beginning) |
66.2 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 6, Attempted murder of Kuzmina: Kuzmina Almost Freezes to Death (conclusion) |
90.9 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane |
116.7 |
| King Lear, Op. 137: Meal with Gonerill |
98.4 |
| King Lear, Op. 137: Ending of the Tableau King Lear |
71.5 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 7, Kuzmina's Rescue by Aeroplane: Adagio |
72.4 |
| King Lear, Op. 137: Finale: The Fool: Moderato |
128.1 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 7, Kuzmina's Rescue by Aeroplane: No. 6 - No. 8 - Appendix |
105.4 |
| Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald): Reel 7, Kuzmina's Rescue by Aeroplane: Allegro |
156.1 |
