曲名 |
BPM |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Kommt, ihr Töchter, helft mir klagen |
85.3 |
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen |
88.9 |
Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio |
94.4 |
Concerto for Violin & Cello in A Minor, Op. 102: II. Andante |
101.7 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1953 Recording): I. Allegro ma non troppo, un poco maestoso |
131.8 |
Symphony No. 40 in G Minor, K. 550: I. Molto allegro |
112.2 |
Symphony No. 2 in E Minor: I. Assai moderato |
80.4 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1952 Recording): I. Allegro con brio |
135.9 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Jesus aber stand vor dem Landpfleger |
110.2 |
Symphony in D Minor, M. 48: I. Lento - Allegro non troppo |
100.9 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1944 Recording): I. Allegro con brio |
71.2 |
Symphony No. 8 in C Minor, WAB 108 (1892 Version): I. Allegro moderato |
55.5 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1952 Recording): I. Allegro ma non troppo, un poco maestoso |
132.8 |
Piano Concerto No. 10 in E-Flat Major, K. 365: I. Allegro |
137.0 |
Symphony No. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (1890 Edition, Ed. L. Nowak) |
102.4 |
Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): I. Allegro moderato |
81.1 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1951 Recording): I. Allegro ma non troppo, un poco maestoso |
128.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Und ging hin ein wenig |
124.7 |
Symphony in D Minor, M. 48: II. Allegretto |
100.8 |
Concerto for Violin & Cello in A Minor, Op. 102: III. Vivace ma non troppo |
84.2 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1951 Recording): II. Molto vivace |
123.1 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Da Jesus diese Rede vollendet hatte |
91.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Der Heiland fällt vor seinem Vater nieder |
0.0 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1944 Recording): II. Marcia funebre. Adagio assai |
113.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Kommt, ihr Töchter, helft mir klagen |
68.9 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1953 Recording): II. Molto vivace |
121.1 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1952 Recording): II. Marcia funebre. Adagio assai |
67.9 |
Symphony No. 40 in G Minor, K. 550: II. Andante |
95.1 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1952 Recording): II. Molto vivace |
119.4 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Befiehl du deine Wege |
74.1 |
Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): II. Scherzo. Allegro moderato - Langsam |
135.7 |
Symphony No. 8 in C Minor, WAB 108 (1892 Version): II. Scherzo. Allegro moderato |
137.6 |
Ein deutsches Requiem, Op. 45: II. Herr, lehre doch mich |
76.5 |
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto |
86.5 |
Piano Concerto No. 10 in E-Flat Major, K. 365: II. Andante |
80.3 |
Symphony No. 2 in E Minor: II. Andante semplice |
87.0 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da Jesus diese Rede vollendet hatte |
91.6 |
Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto |
69.0 |
Ein deutsches Requiem, Op. 45: III. Wie lieblich sind deine Wohnungen |
106.2 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1951 Recording): III. Adagio molto e cantabile - Andante moderato |
74.0 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1953 Recording): III. Adagio molto e cantabile - Andante moderato |
136.2 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1952 Recording): III. Adagio molto e cantabile - Andante moderato |
77.1 |
Symphony No. 2 in E Minor: III. Allegro |
79.3 |
Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace |
169.8 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1952 Recording): III. Scherzo. Allegro vivace |
155.4 |
Symphony No. 8 in C Minor, WAB 108 (1892 Version): III. Adagio. Feierlich langsam, doch nicht schleppend |
66.5 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Auf das Fest aber hatte der Landpfleger |
128.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Herzliebster Jesu, was hast du verbrochen |
79.5 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1944 Recording): III. Scherzo. Allegro vivace |
85.4 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Und er kam zu seinen Jüngern |
74.4 |
Symphony in D Minor, M. 48: III. Allegro non troppo |
69.4 |
Piano Concerto No. 10 in E-Flat Major, K. 365: III. Rondo. Allegro |
85.0 |
Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): III. Adagio. Feierlich langsam, doch nicht schleppend |
84.1 |
Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro |
87.1 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1953 Recording): IV. Finale. Presto - Recitative |
70.9 |
Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro |
132.2 |
Symphony No. 2 in E Minor: IV. Langsam |
77.8 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Da versammelten sich die Hohenpriester |
84.1 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1951 Recording): IV. Finale. Presto - Recitative |
168.0 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Der Landpfleger sagte |
171.7 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1952 Recording): IV. Finale. Allegro molto |
109.8 |
Symphony No. 40 in G Minor, K. 550: IV. Allegro assai |
140.2 |
Symphony No. 8 in C Minor, WAB 108 (1892 Version): IV. Finale. Feierlich, nicht schnell |
79.5 |
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo |
136.4 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Herzliebster Jesu, was hast du verbrochen |
104.8 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1952 Recording): IV. Finale. Presto - Recitative |
72.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Was mein Gott will, das g'scheh allzeit |
83.1 |
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto |
73.3 |
Ein deutsches Requiem, Op. 45: IV. Ihr habt nun Traurigkeit |
75.1 |
Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto |
146.2 |
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (1944 Recording): IV. Finale. Allegro molto |
128.1 |
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso |
129.8 |
Leonore Overture No. 2, Op. 72a |
91.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Ja nicht auf das Fest |
91.0 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da versammelten sich die Hohenpriester |
89.0 |
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso |
81.7 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Er hat uns allen wohlgetan |
106.7 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1953 Recording): IV. Finale. O Freunde, nicht diese Töne! |
68.9 |
Iphigenie en Aulide: Overture |
96.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da kam er zu seinen Jüngern |
75.4 |
Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht |
102.1 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1951 Recording): IV. Finale. O Freunde, nicht diese Töne! |
72.2 |
Piano Concerto No. 22 in E-Flat Major, K. 482: II. Andante |
138.1 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Theme. Andante |
85.9 |
Symphony No. 9 in D Minor, Op. 125 "Choral" (1952 Recording): IV. Finale. O Freunde, nicht diese Töne! |
63.1 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Aus Liebe will mein Heiland sterben |
99.6 |
Rosamunde, D. 797: Entr'acte No. 3 |
84.1 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Da nun Jesus war zu Bethanien, im Hause Simonis des Aussätzigen |
77.5 |
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai |
82.3 |
Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio |
64.8 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): So ist mein Jesus nun gefangen |
86.0 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 1, Andante con moto |
100.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Ja nicht auf das Fest |
173.0 |
Lieder eines fahrenden Gesellen: No. 2, Ging heut' morgen ubers Feld |
84.1 |
Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro |
140.6 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 2, Vivace |
118.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da nun Jesus war zu Bethanien, im Hause Simonis des Aussätzigen |
84.8 |
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito |
115.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Zu der stund' sprach Jesus zu den Scharen |
86.5 |
Lieder eines fahrenden Gesellen: No. 3, Ich hab' ein glühend Messer |
86.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Du lieber Heiland du |
72.1 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Sie schrieen aber |
82.0 |
Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen |
166.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Buss und Reu |
78.4 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 3, Con moto |
120.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): O Mensch, bewein dein Sünde groß |
91.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Du lieber Heiland du |
178.4 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Erbarme dich |
85.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Buss und Reu |
97.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Da ging hin der Zwölfen einer |
108.9 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Da nahmen die Kriegsknechte |
109.2 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Ach! Nun ist mein Jesus hin |
93.9 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 4, Andante |
73.6 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Die aber Jesum gegriffen hatten |
49.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da ging hin der Zwölfen einer |
74.0 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): O Haupt voll Blut und Wunden |
75.4 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 5, Poco presto |
106.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Blute nur, du liebes Herz |
177.2 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 6, Vivace |
83.6 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Und da sie ihn verspottet hatten |
90.3 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Und der Hohepriester stand auf |
114.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Aber am ersten Tage der süssen Brot |
0.0 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Blute nur, du liebes Herz |
104.7 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Und der Hohepriester antwortete |
75.8 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 7, Grazioso |
35.8 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Wo willst du, dass wir dir bereiten |
157.0 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Aber am ersten Tage der süssen Brot |
112.7 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Ja, freilich will in uns das Fleisch und Blut |
74.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Er sprach |
98.9 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Wer hat dich so geschlagen |
85.6 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Var. 8, Poco presto |
82.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Wo willst du, dass wir dir bereiten |
145.6 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Komm, süßes Kreuz |
108.9 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Und da wurden zween |
81.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Und sie wurden sehr betrübt und huben an |
0.0 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Petrus aber sass draussen im Palast |
76.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Er sprach |
83.8 |
Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": Finale. Andante |
99.4 |
Concerto for Violin & Cello in A Minor, Op. 102: I. Allegro |
118.8 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Ach Golgatha, unsel'ges Golgatha |
89.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Herr, bin ich's? |
93.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Und sie wurden sehr betrübt und huben an |
0.0 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Da hub er an, sich zu verfluchen und zu schwören |
86.8 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Ich bin's, ich sollte büßen |
80.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Herr, bin ich's? |
170.1 |
St. Matthew Passion, BWV 244, Pt. 2 (1954 Recording): Erbarme dich, mein Gott |
84.5 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Und von der sechsten |
96.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Ich bin's, ich sollte büßen |
85.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Er antwortete und sprach |
82.8 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Wenn ich einmal soll scheiden |
84.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Er antwortete und sprach |
173.0 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Und siehe da, der Vorhang im Tempel |
74.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Wiewohl mein Herz in Tränen schwimmt |
177.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Wiewohl mein Herz in Tränen schwimmt |
82.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Und da sie den Lobgesang gesprochen hatten |
169.8 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Am Abend, da es kühle war |
68.0 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Erkenne mich, mein Hüter |
81.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Und da sie den Lobgesang gesprochen hatten |
89.6 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Und Joseph nahm den Leib |
75.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Erkenne mich, mein Hüter |
72.8 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Nun ist der Herr zur Ruh gebracht |
80.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Petrus aber antwortete |
83.4 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Da kam Jesus mit ihnen zu einem Hofe |
171.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Petrus aber antwortete |
79.3 |
St. Matthew Passion, BWV 244, Pt. 3 (1954 Recording): Wir setzen uns mit Tränen nieder |
69.6 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Da kam Jesus mit ihnen zu einem Hofe |
83.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): O Schmerz, hier zittert das gequälte Herz |
83.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): O Schmerz, hier zittert das gequälte Herz |
86.3 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Ich will bei meinem Jesu wachen |
175.1 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Und ging hin ein wenig |
73.7 |
St. Matthew Passion, BWV 244, Pt. 1 (1954 Recording): Ich will bei meinem Jesu wachen |
122.1 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Der Heiland fällt vor seinem Vater nieder |
130.5 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Und er kam zu seinen Jüngern |
81.1 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Was mein Gott will, das g'scheh allzeit |
85.2 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): Und er kam und fand sie aber schlafend |
82.9 |
St. Matthew Passion, BWV 244, Pt. 1 (1952 Recording): So ist mein Jesus nun gefangen |
92.8 |