| 曲名 |
BPM |
| Symphony No. 6 In B Minor, Op. 74, TH.30: 1. Adagio - Allegro non troppo |
114.9 |
| Symphony No.4 In E Minor, Op.98: 1. Allegro non troppo |
77.9 |
| Symphony No.2 In C, Op.61: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco |
146.4 |
| Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "All That We Have Said" (4th Movt.) |
64.2 |
| Symphony No.3 In E Flat, Op.55 -"Eroica": 1. Allegro con brio |
151.5 |
| Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia |
72.5 |
| Symphony No.4 In E Minor, Op.98: 2. Andante moderato |
66.7 |
| Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "The Study Of The Eroica Is A Lifetime Work,..." |
134.0 |
| Symphony No.3 In E Flat, Op.55 -"Eroica": 2. Marcia funebre (Adagio assai) |
96.5 |
| Symphony No.2 In C, Op.61: 2. Scherzo (Allegro vivace) |
138.9 |
| Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto |
64.8 |
| Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace |
77.9 |
| Symphony No.4 In E Minor, Op.98: 3. Allegro giocoso - Poco meno presto - Tempo I |
121.5 |
| Symphony No.3 In E Flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace) |
89.5 |
| Symphony No.2 In C, Op.61: 3. Adagio espresssivo |
88.0 |
| Symphony No.3 In E Flat, Op.55 -"Eroica": 4. Finale (Allegro molto) |
127.4 |
| Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 2. Largo |
85.0 |
| Symphony No.4 In E Minor, Op.98: 4. Allegro energico e passionato - Più allegro |
125.3 |
| Symphony No. 6 In B Minor, Op. 74, TH.30: 4. Finale (Adagio lamentoso - Andante) |
82.3 |
| Symphony No.2 In C, Op.61: 4. Allegro molto vivace |
75.9 |
| Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 3. Scherzo (Molto vivace) |
74.8 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 1. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme) |
131.4 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 1. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.) |
85.6 |
| Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "Simplicity Itself..." (1st Movement) |
80.6 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme) |
104.6 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 2. "Now The Development Section Erupts..." (1st Movt. Cont.) |
132.8 |
| Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 4. Allegro con fuoco |
122.4 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 2. "Our Journey Begins Without Introduction..." |
79.5 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 2. "To My Mind Schumann Follows In This Tradition" |
88.2 |
| Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "I Always Feel This Gigantism" (2nd Movt.) |
138.0 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 3. "Now Let´s Look At The Symphony Itself" (1st Movement) |
97.5 |
| Musical Analysis: Bernstin On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 1. "Does This Music Sound Like The New World To You?" (3rd Movt., Trio II; 1st Movt.) |
109.3 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales" (2nd Movt) |
129.1 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 3. "Do You See Now What A Symphonic Theme Is?" |
118.7 |
| Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "We Have Just Been Examining..." (3rd Movt.) |
109.2 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 4. "And So We Have Arrived At The Allegro Section..." (1st Movt. Cont.) |
97.8 |
| Musical Analysis: Bernstin On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 2. "We Come Now To The Second Movement, Which Has A Charming Melody, ..." (2nd Movt.) |
89.7 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music" |
132.6 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping Now To The Famous Third Movement, The Great March..." (3rd Movt.) |
80.6 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 5. "In The Marvellous Scherzo That Follows..." (2nd Movt) |
74.9 |
| Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.) |
133.2 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 5. "Here Is That Second Theme" |
75.4 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 5. "Perhaps The Most Admirable Example Of This Is To Be Found In The Wonderful Last Movement, ..." (4th Movt.) |
88.7 |
| Musical Analysis: Bernstein On Dvorák, Symphony No.9, op.95, "From The New World", B.178: 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Movt.) |
124.3 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, op.98, First Movement: 6. "This Brings Us To The Development Section Proper" |
84.4 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 6. "But Perhaps The Greatest Beauty..." (3rd Movt.) |
77.9 |
| Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 6. "Now I Don´t Want To Give You The Impression That Scales Are The Only Unifying Force In This Work" |
75.4 |
| Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 7. "Even In The Final Movement" (4th Movt.) |
127.9 |
| Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music, ..." (4th Movt.,Cont.) |
90.4 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..." |
106.6 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 8. "So We Arrive At The Coda" |
72.3 |
| Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 9. "Well, We Have Had A Microscopic Look At Symphonic Method" |
79.4 |
