BPM データベース

Leonard Bernstein - The Harvard Lectures
(ヴァリアス・アーティスト 他/2018年)

「Leonard Bernstein - The Harvard Lectures/ヴァリアス・アーティスト 他」に収録されている曲のBPM一覧 (BPM 110~120)

曲名 BPM
Vol. IV - The Delights and Dangers of Ambiguity: And This Is What Gives Tristan 111.3
Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century 117.4
Vol. II - Musical Syntax: Now Let's See 114.4
Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus 118.4
Vol. I - Musical Phonology: From this Time 117.0
Vol. I - Musical Phonology: But How do we Investigate 112.3
Vol. IV - The Delights and Dangers of Ambiguity: Enough of Ambiguity 119.2
Vol. I - Musical Phonology: Now You Can See 110.7
Vol. VI - The Poetry of Earth: One Has Only Learnt to Get 110.6
Vol. II - Musical Syntax: The Reason I Pick Symmetry 114.8
Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age 115.8
Vol. III - Musical Semantics: In Fact, When You Think of the Number 112.9
Vol. IV - The Delights and Dangers of Ambiguity: For Example, Do You Remember 111.1
Vol. V - The Twentieth Century Crisis: The Twentieth Century 116.9
Vol. V - The Twentieth Century Crisis: In Any Case 117.4
Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow 118.7
Vol. II - Musical Syntax: Take the Passive Transformation 110.6
Vol. II - Musical Syntax: Well, it hasn't Brought us There 111.6
Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt 112.0
Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog 113.6
Vol. V - The Twentieth Century Crisis: Of Course, There Are Lots 112.5
Vol. II - Musical Syntax: Now let's Go Back 116.6
Vol. VI - The Poetry of Earth: You Think That's Funny 111.2
Vol. I - Musical Phonology: And that's how the Tempered Clavichord 111.2
Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time 119.4
Vol. II - Musical Syntax: Here I Go 118.9
Vol. II - Musical Syntax: I Have Asked Myself 117.9
Vol. III - Musical Semantics: What Do You Suppose 112.3
Vol. III - Musical Semantics: But What of the More Obvious Melodic Material 115.3
Vol. IV - The Delights and Dangers of Ambiguity: My Purpose In All This 111.7