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Leonard Bernstein - The Harvard Lectures
(ヴァリアス・アーティスト 他/2018年)

「Leonard Bernstein - The Harvard Lectures/ヴァリアス・アーティスト 他」に収録されている曲のBPM一覧 (BPM 80~90)

曲名 BPM
Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead 89.6
Vol. V - The Twentieth Century Crisis: Our Lecture Tonight 84.7
Vol. I - Musical Phonology: Perhaps the Principal Thing 88.7
Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo" 86.1
Vol. III - Musical Semantics: Think of this Famous Passage 89.5
Vol. III - Musical Semantics: Well, That's the Beginning 87.0
Vol. V - The Twentieth Century Crisis: So, All in All 82.7
Vol. II - Musical Syntax: I Suppose What Chomsky is Really After 87.5
Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote 88.4
Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde") 87.0
Vol. VI - The Poetry of Earth: Of Course What he is Really Talking About 82.4
Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt) 80.5
Vol. VI - The Poetry of Earth: But It Was Precisely 81.7
Vol. III - Musical Semantics: This Interference of the Two Frequencies 88.1
Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately 81.1
Vol. II - Musical Syntax: What Does this Three-Note Design Mean 87.5
Vol. II - Musical Syntax: Why Am I Taking Your Time 82.4
Vol. V - The Twentieth Century Crisis: It Comes at a Point 88.4
Vol. V - The Twentieth Century Crisis: The Unanswered Question 86.8
Vol. IV - The Delights and Dangers of Ambiguity: Where Music Was Concerned 84.3
Vol. III - Musical Semantics: All Right, First Let's Look Briefly 85.1
Vol. VI - The Poetry of Earth: Even in the Most 88.2
Vol. VI - The Poetry of Earth: This Union Is Possible Only Because 82.2
Vol. V - The Twentieth Century Crisis: If This Particularly Demanding Lecture 81.9
Vol. III - Musical Semantics: Now That's One Way of Looking 82.5
Vol. V - The Twentieth Century Crisis: I that Luminous Final Triad 83.0
Vol. III - Musical Semantics: At This Point 89.3
Vol. IV - The Delights and Dangers of Ambiguity: In Fact, the Ending of this Piece 83.3
Vol. I - Musical Phonology: Well, Then I Thought 82.5
Vol. III - Musical Semantics: Even if You Can Succeed 83.5
Vol. VI - The Poetry of Earth: Look: Here Is a Joke 88.0
Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds 82.4
Vol. II - Musical Syntax: Since this is not a Linguistics Class 85.0
Vol. IV - The Delights and Dangers of Ambiguity: Foolish Questions 81.8
Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor 88.7
Vol. I - Musical Phonology: Maybe Even a Divine One 86.1
Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncements 83.3
Vol. I - Musical Phonology: But Where do these Notes Come from? 85.2
Vol. II - Musical Syntax: And if You are Still not Convinced 83.5
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro 85.1
Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema 82.4
Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens 82.1
Vol. III - Musical Semantics: We Will Never Know 80.4
Vol. II - Musical Syntax: For Instance, in this Same First Movement 82.1
Stravinsky: Oedipus Rex: Va-le-di-co 86.7
Vol. III - Musical Semantics: We All Recognize Antithesis 86.0
Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeling 85.6
Vol. IV - The Delights and Dangers of Ambiguity: You See, the Music Is Trying Hard 87.1
Vol. VI - The Poetry of Earth: How About That 88.0
Vol. VI - The Poetry of Earth: Now That Page of Music 88.9
Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevitable 80.2
Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect 88.2
Vol. VI - The Poetry of Earth: But Why This Particular Misalliance 88.9
Vol. VI - The Poetry of Earth: My Words Are Poor 83.9
Vol. V - The Twentieth Century Crisis: And What About Beethoven's Nineth 86.2
Vol. V - The Twentieth Century Crisis: These Are Some of the Problems 83.4
Vol. IV - The Delights and Dangers of Ambiguity: What a Piece 82.3
Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed 89.8
Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added 87.3
Vol. VI - The Poetry of Earth: If This Poem Were Rewritten 83.6