| 曲名 |
BPM |
| Wachet auf, ruft uns die Stimme, BWV 140 - Arr. Granville Bantock: 1. Chorale: Wachet auf, ruft uns die Stimme |
69.8 |
| Ach bleib bei uns, Herr Jesu Christ, BWV 649 - Arr. Ralph Vaughan Williams: 1. Chorale |
131.7 |
| Ach bleib bei uns, Herr Jesu Christ, BWV 649 - Arr. Ralph Vaughan Williams: 2. Chorale Prélude |
68.9 |
| Orgelbüchlein, BWV 599/644 - Arr. Constant Lambert: Der Tag, der ist so freudenreich, BWV 605 |
119.3 |
| Brandenburg Concerto No.2 In F, BWV 1047 - Arr. Eugene Goossens: 2. Andante |
99.2 |
| Fantasia in G major, BWV 572 (Arr. Arnold Bax) |
120.2 |
| Meine Seele Erhebet Den Herren Bwv 648 (Chorale Prelude) |
143.5 |
| Orgelbüchlein, BWV 599/644 - Arr. Herbert Howells: O Mensch, bewein’ dein’ Sünde groß, BWV 622 |
102.7 |
| In dulci jubilo, BWV 729 (Arr. Lord Berners) |
76.5 |
| Wir glauben all' an einen Gott, Vater, BWV 740 (Arr. William Gillies Whittaker) |
85.3 |
| Orgelbüchlein, BWV 599/644 - Arr. Arthur Bliss: Das alte Jahr vergangen ist, BWV 614 |
77.7 |
| Komm, süsser Tod, BWV 478 (Arr. Frank Bridge) |
125.1 |
| Herzlich tut mich verlangen, BWV 727 - Arr. William Walton: Chorale Prélude |
82.7 |
| Suite In E Major For Lute, BWV 1006a - Arr. For Piano: 3. Gavotte en Rondeau |
76.5 |
| Sonata in re minore (dalla Sonata per violino in la minore), BWV 964: 3. Andante |
71.2 |
| Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - Arr. Otto Schröder: 1. Sonatina |
73.2 |
| Cantata, BWV 68 "Also hat Gott die Welt geliebt" - Arr. Cyril Scott: 2. Arie: Mein gläubiges Herze |
120.2 |
| Cantata No.22 "Jesus nahm zu sich die Zwölfe", BWV 22 - Arr. Harriet Cohen: 5. Chorale: Ertöt uns durch dein Güte |
74.1 |
| Liebster Jesu, wir sind hier, BWV 731 (Arr. Harriet Cohen) |
100.0 |
| Mein Gott, wie lang, ach lange, BWV 155 - Arr. Harriet Cohen: 3. Recitative: So sei, o Seele, sei zufrieden |
77.4 |
| Mein Gott, wie lang, ach lange, BWV 155 - Arr. Harriet Cohen: 4. Arie: Wirf, mein Herze, wirf dich noch |
79.2 |
| Blithe Bells (Arr. from "Sheep may safely graze" from J.S Bach's Was mir behagt, ist nur die muntre Jagd, BWV 208) |
71.5 |
| Cantate No.29 "Wir danken dir, Gott, wir danken dir", BWV 29 - Arr. Camille Saint-Saëns: 1. Sinfonia |
108.9 |
| Adagio (Arr. From Opening Chorus and Recitative "Wie schwerlich lässt sich Fleisch und Blut" from J.S Bach's "Ach Gott, wie manches Herzeleid, BWV 3") |
59.4 |
| Presto (Arr. From "Part 2: Sinfonia" from J.S Bach's "Geist und Seele wird verwirret, BWV 35") |
104.6 |
| Concerto For Harpsichord, Strings, And Continuo No.5 In F Minor, BWV 1056 - Arr. Wilhelm Kempff: 2. Largo |
84.0 |
| Choral Prelude "Ich ruf zu dir, Herr Jesu Christ", BWV 639 (Arr. Wilhelm Kempff) |
68.7 |
| Chorale "Es ist gewisslich an der Zeit", BWV 307 (Arr. Wilhelm Kempff) |
144.6 |
| Chorale Prelude "Nun freut euch, lieben Christen gmein", BWV 734 (Arr. Wilhelm Kempff) |
143.7 |
| Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Wilhelm Kempff: 6. Wohl mir, dass ich Jesum habe / 10. Jesus bleibet meine Freude - Medley |
118.3 |
| Choral Prelude "Wir glauben all an einen Gott", BWV 680 (Arr. Carl Tausig) |
88.6 |
| Cantata "Himmelskönig, sei willkommen" BWV 182 - Arr. Anonymous: 1. Sonata |
82.3 |
| Cantata "Am Abend desselbigen Sabbats", BWV 42 - Arr. Anonymous: 1. Sinfonia |
163.6 |
| Flute Sonata in E Flat Major, BWV 1031 - Arr. Charles-Valentin Alkan: 2. Siciliano |
121.7 |
| Suite For Cello Solo No.6 In D Major, BWV 1012 - Arr. Harold Bauer: 5. Gavotte 1 & 2 |
71.2 |
| Suite For Cello Solo No.1 In G Major, BWV 1007 - Arr. Harold Bauer: 5. Menuett 1 & 2 |
68.9 |
| Toccata, Adagio And Fugue In C, BWV 564 - Arr. Ferruccio Busoni: 2. Adagio (Intermezzo) |
72.5 |
| Choral Prelude "Nun komm’ der Heiden Heiland", BWV 659 (Arr. Ferruccio Busoni) |
105.8 |
| Toccata And Fugue In D Minor, BWV 565 - Arr. Max Reger: 1. Toccata |
118.8 |
| Toccata And Fugue In D Minor, BWV 565 - Arr. Max Reger: 2. Fugue |
79.6 |
| Orchestral Suite No.3 in D Major, BWV 1068 - Arr. Giuseppe Martucci: 2. Air |
102.3 |
| Orchestral Suite No.2 In B Minor, BWV 1067 - Arr. Giuseppe Martucci: 6. Menuett |
111.3 |
| Orchestral Suite No.2 In B Minor, BWV 1067 - Arr. Giuseppe Martucci: 7. Badinerie |
95.0 |
| Pastoral In F, BWV 590 - Arr. William Gillies Whittaker: 1. Pastorale (Allegretto e tranquillo) |
109.6 |
| Pastoral In F, BWV 590 - Arr. William Gillies Whittaker: 2. Allemande (Moderato) |
102.4 |
| Pastoral In F, BWV 590 - Arr. William Gillies Whittaker: 3. Aria (Andante cantabile e espressivo) |
117.7 |
| Pastoral In F, BWV 590 - Arr. William Gillies Whittaker: 4. Giga (Allegro) |
102.3 |
| Prelude and Fugue in G minor, BWV 535 - Arr. Tivadar Szántó: 1. Prelude (Adagio e religioso) |
134.7 |
| Prelude and Fugue in G minor, BWV 535 - Arr. Tivadar Szántó: 2. Fugue (Andante ma non troppo) |
143.3 |
| Der Himmel lacht! die Erde jubiliert, BWV 31 - Arr. Antony Gray: 8. Aria: Letzte Stunde, brich herein |
73.4 |
| Bereitet die Wege, bereitet die Bahn - Cantata, BWV 132 - Arr. Judith Weir: 3. Aria: Wer bist du? Frage dein Gewissen |
73.9 |
| Partita No.1 In B Flat Major, BWV 825 - Arr. Earl Wild: 4. Sarabande |
113.2 |
| The Well-Tempered Clavier: Book 1, BWV 846-869 - Arr. François Sarhan: Prelude in C Major, BWV 846 |
126.4 |
| The Well-Tempered Clavier: Book 1, BWV 846-869 - Arr. François Sarhan: Fugue in C Major, BWV 846 |
107.6 |
| BWV Fragments (Arr. Michael Blake) |
95.8 |
| Oh Clare (Arr. From "Jesu, Joy of Man's Desiring" From J.S Bach's "Herz und Mund und Tat und Leben, BWV 147") |
70.0 |
| Joh. Seb. Bach (Arr. Michael Finnissy) |
67.0 |
| The Crucifixion Blues (Arr. From "2. Symbolum Nicenum (Credo)" from J.S Bach's "Mass in B minor, BWV 232") |
73.5 |
| Cantus Firmus (Arr. From the Music of J.S Bach) |
78.0 |
| St. Matthew Passion, BWV 244 - Arr. Sally Mays: 63. O Haupt voll Blut und Wunden |
75.9 |
| Sleepers Wake – Karalananga (Arr. From "Sleepers Wake" From J.S Bach's "Wachet auf, ruft uns die Stimme, BWV 140") |
83.0 |
| In dulci jubilo, BWV 608 (Arr. Gabriel Jackson) |
152.1 |
